Fleda, to postpone answering, looked round, while she drank it, at the beautiful room. "I don't in the least like, you know, your having taken so much. It was a great shock to me, on my arrival here, to find you had done so." Mrs. Gereth looked at her with a slight increase of hardness. "You've done everything you need for modesty, my dear! If he's sick with love of you, you haven't had to wait for me to inform you."!

"Don't you think it—I mean that she ought to give them up?" "To move the furniture?"

Mrs. Gereth evidently thought in these days of little but things hymeneal; for she broke out with sudden rapture, in the middle of the week: "I know what they'll do: they will marry, but they'll go and live at Waterbath!" There was positive joy in that form of the idea, which she embroidered and developed: it seemed so much the safest thing that could happen. "Yes, I'll have you, but I won't go there!" Mona would have said with a vicious nod at the southern horizon: "we'll leave your horrid mother alone there for life." It would be an ideal solution, this ingress the lively pair, with their spiritual need of a warmer medium, would playfully punch in the ribs of her ancestral home; for it would not only prevent recurring panic at Poynton—it would offer them, as in one of their gimcrack baskets or other vessels of ugliness, a definite daily felicity that Poynton could never give. Owen might manage his estate just as he managed it now, and Mrs. Gereth would manage everything else. When, in the hall, on the unforgettable day of his return, she had heard his voice ring out like a call to a terrier, she had still, as Fleda afterwards learned, clutched frantically at the conceit that he had come, at the worst, to announce some compromise; to tell her she would have to put up with the girl, yes, but that some way would be arrived at of leaving her in personal possession. Fleda Vetch, whom from the first hour no illusion had brushed with its wing, now held her breath, went on tiptoe, wandered in outlying parts of the house and through delicate, muffled rooms, while the mother and son faced each other below. From time to time she stopped to listen; but all was so quiet she was almost frightened: she had vaguely expected a sound of contention. It lasted longer than she would have supposed, whatever it was they were doing; and when finally, from a window, she saw Owen stroll out of the house, stop and light a cigarette and then pensively lose himself in the plantations, she found other matter for trepidation in the fact that Mrs. Gereth didn't immediately come rushing up into her arms. She wondered whether she oughtn't to go down to her, and measured the gravity of what had occurred by the circumstance, which she presently ascertained, that the poor lady had retired to her room and wished not to be disturbed. This admonition had been for her maid, with whom Fleda conferred as at the door of a death-chamber; but the girl, without either fatuity or resentment, judged that, since it could render Mrs. Gereth indifferent even to the ministrations of disinterested attachment, the scene had been tremendous. "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!" "Did he seem very angry?"